One of a kind mouthpiece backbores.  Seven different styles to compliment any playing situation.  All brushed finished.

Backbore: #0

Very free blowing backbore that allows the orchestral player to use massive quantities of air without losing focus.  Commonly paired with either a #24, or #25 throat. 

Applications - Orchestral/Symphonic playing

Backbore: #1

For players who prefer a free blow with less resistance than the #2 backbore. 

Applications - Orchestral/Symphonic playing

Backbore: #2

This backbore offers the 'classic' feel that classical players have grown accustomed to.  With just the right amount of resistance this backbore has a bold beautiful tone.

Applications - Orchestral/Symphonic/Soloistic/Chamber playing

Backbore: #3

Offers great stability while retaining that 'classic' sound.  Offers more resistance than the #2 without losing the beautiful tone. Applications - Chamber Orchestra/Jazz Combo/Soloistic playing

Backbore: #4

A compact, and focused sound without adding great resistance. This backbore blends well for big band section playing without producing that strident sound known for lead trumpet playing. The compact, and focused sound pair nicely for piccolo trumpet playing. Applications- Jazz Band/Jazz Combo/Piccolo Trumpet/Soloistic playing

Backbore: 10-1

Very free blowing orchestral backbore, commonly used with a #24-#25 throat to create that orchestral sound/feel that is desired in symphony orchestras. Applications - Orchestral/ Symphonic playing

Backbore: 10-2

Our most popular classical backbore.  The 10-2 creates a large sound without losing you with too much inefficient volume. This backbore offers that ‘classic’ backbore feel/blow that many have grown accustomed to.

Applications - Orchestral/Symphonic/Soloistic/Chamber playing

Backbore: 10-3

This backbore offers slightly more resistance than the 10-2 without compromising the overall beautiful large sound.  The attacks are more pronounced and speak quicker which creates a perfect mouthpiece for small group playing. Applications - Chamber Orchestra/Jazz Combo/ Soloistic playing

Backbore: 10-4

An extremely efficient backbore, offers a bright, focused sound.  This backbore blends well for big band section playing without producing that strident sound known for lead trumpet playing. Applications- Jazz Band/Jazz Combo/Soloistic playing

Backbore: 10-5

A very compact backbore that produces a sound that is desired by lead trumpet players.  The added resistance will aid in sound projection, faster articulations, and efficiency. Applications - Lead Trumpet/ Jazz Band/ Commercial/Piccolo Trumpet/Soloistic playing